GHØSTKID

"Hey everyone,

First of all, I want to thank every single one of you for your incredible support — especially everyone who has already bought a ticket for the tour and everyone else from the business side who supported me over the past months.

I’m really sorry to say that we have to postpone the tour to April next year.

This year has been very challenging for me personally. I tried my best to make the tour happen, but I’ve reached a point where I need to take care of myself and take my mental health seriously. I’m already getting professional help and I’m slowly starting to feel better, but I need some time to recover properly.

Playing this tour for the new album was something I was really looking forward to, and this decision was not easy. But with the album release and everything else going on, the pressure would simply be too much right now.

I’m truly sorry to everyone who bought tickets, the other bands, and everyone who put so much time and energy into making this tour happen.

There will still be one show this year: on December 19th in Cologne. Other than that, I’ll focus on myself and on releasing the album — something that has given me a lot of hope during the past few months.

I hope you understand, and I really hope to see some of you in December and on the postponed tour next year.

All tickets will remain valid, and the new tour dates will be announced right away.

Thank you for understanding and for being there.

Xoxo Sebastian (aka. Ghøstkid)"

Die Musik von GHØSTKID ist ein stürmisches Eintauchen in Dunkelheit und Aggression. Es orientiert sich an neuen Paradigmen: Zähne fletschen und dabei den Sinn für eingängige Melodien bewahren. GHØSTKID ist der neue Namensgeber von Sebastian „Sushi“ Biesler (ehemals Eskimo Callboy) und einer Verschwörung von Freunden und gleichgesinnten Verbündeten, die ihren eigenen Krawall gemacht haben: Steve Joakim (Schlagzeug) aus Schweden sowie Jan Marco Heinz (Gitarre) Chris Kisseler (Gitarre) und Stanislaw Czywil (Bass). Der neue Lärm begann im Oktober 2019, als Sushi eine Gitarre in die Hand nahm und begann, für GHØSTKID zu schreiben. GHØSTKID war nicht nur ein Ventil – es lag in seiner DNA. „Ich bin einfach meinem Herzen gefolgt“, sagt er. Zu diesem Zeitpunkt ließ sich Sushi von Marilyn Manson, Fever 333 und Bring me the Horizon inspirieren, die ihn alle dazu inspirierten, verschiedene Klangschattierungen miteinander zu verschmelzen, die Pop, Metal, Industrial und einen Hauch von Trap berührten.